REGARDE LES HOMMES TOMBER - Exile (LADLO - CD 2015)
And here’s the last of four
new releases from Les Acteurs de l'ombre Productions! Regarde Les Hommes Tomber
is also the only band from the four, which I knew before. And of course I had
also high hopes for their second album “Exile”. Firstly, because all other
three new LADLO releases were superb, but also because I really liked their
debut album. And you know what? After hearing Deluge, Maïeutiste and Moonreich
I was certain that “Exile” is also going to be a killer release. And sure it
is!
In case you’re not familiar
with Regarde Les Hommes Tomber, their music is often described as sludge / post
black metal. Well, I can already hear some people moaning about the new trends
of pseudo-intellectual geeks that flooded the scene with their stupid haircuts,
glasses, hoods and all that shit, which normally would never be even closely
related to the black metal scene. But well, times change and it turns out that
black metal not necessarily needs to mean corpsepaints and Satan worship, at
least according to some bands. Well, opinions are many, but why would I care? I
personally just worry only if the music is good or not. And to put it into some
categories has no meaning. But if you HAVE TO ASK, then I must say that for me
personally this black metal tag, when speaking of “Exile” is rather doubtful.
Well, I just don’t hear much of that music here. Of course, there are some
traces, mainly when Regarde Les Hommes Tomber speeds up and blasts like crazy.
Together with the screaming vocals, it can give you a more blackish feeling.
But the majority of the album is rather typical, I would say, post metal, with
touch of doom sludge and hardcore. “Exile” has the typical song structures and other
characteristics for this genre. I mean the long instrumental passages, with
guitars that are creating this specific feeling and so infectious, almost
hypnotizing aura… this is music, which I often feel like doesn’t even need
vocals or that they’re second important or maybe that they’re used as another
instrument, while the guitars and the way they paint the picture is enough to
fully involve the listener and take him into this musical journey.
If I can be honest, “Exile” is
not a total extraordinary album or one, which will make you super excited. It’s
also not the most original of all post metal stuff you’ll hear. But despite
that, I do like it a lot. It is a great listen, this music is intense, but quite
memorable and easily listenable, I caught its ambience right away and let the
music fully capture my attention, and devour me. The songwriting is great, I
like the riffs, arrangements are superb, it’s very diverse stuff, the vocals
are also damn good, so is the production, which is simply top notch. So, even
if I said that “Exile” is not the most amazing album of the year, it is just so
damn good and solid that it would be a lie if I said that I am careless about
it. Damn, I was spinning it for more than a week exclusively! Basically every
song on “Exile” is great, there are no fillers, not even a second of boredom,
especially with such killers as “A Sheep Among the Wolves” or “...to Take Us”.
And most of all, “The Incandescent March”, which is a closing anthem, the
longest (11 minutes long) piece of all, which sums up the album perfectly.
Standout tracks: “A Sheep
Among the Wolves”, “...to Take Us”, “The Incandescent March”
Final rate: 80/100
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