Monday, 20 October 2014

Ghost - Bad Obsession

GHOST - Bad Obsession (Thrashing Madness - CD 2014)
“Bad… fuckin kurwa… Obsession”! Damn, I can’t believe this demo is released on CD! How it is even possible hehe!? I am so intrigued, because it was maybe even the FIRST demo cassette, which I have bought in my life! I remember that I bought that tape in my local music store just because it was cheaper than the licensed death metal albums from bigger bands and I didn’t have more money hehe, so even if I didn’t know Ghost before, I decided to buy “Bad Obsession” (originally released by Carnage Records). I simply liked the artwork and more so, these guys had been wearing killer t-shirts of bands like Obituary and Cannibal Corpse, so it must have been good. Hehe! Yeah, over 20 years have passed, but I still remember it like it was yesterday hehe. It’s sad that I don’t have that tape anymore, so the more happy I am that Thrashing Madness released “Bad Obsession” on CD (just as they did it with “The Lost of Mercy” album!). And as always the whole packaging is something truly extra. We get a fat, glossy booklet with a lot of cool stuff in it (including liner notes from band members, scans from the old fanzines with interviews, etc). But most importantly, the CD offers us three demos! Yes! First, there’s “Bad Obsession” and then there are two earlier recordings of Ghost, which I honestly never heard before: “Noc Demona” and “Ghost II”, both from 1989! Isn’t that a fine compilation?
Many years have passed since I had a chance to hear “Bad Obsession” last time. Funny, but I still remember every damn song, every damn riff and vocals part from this demo hehe. You simply don’t forget these things, especially if it was one of the first cassettes you ever bought and listened to it dozens of times. You know, in the early 90’s the number of cassettes I had in my collection was what? 50 maybe? So obviously I was listening to these albums / demos fuckin a lot. It’s not like nowadays, when I have almost 3000 items in the collection and sometimes I listen to an album 4-5 times and then come back to it not sooner but in ten years, hardly knowing and remembering it. What sucks of corpse hehe! But that’s how the present times are… too many bands, too many records. So, yes, I still remember “Bad Obsession” damn well, but I am surprised that nowadays I enjoy listening to this demo so much! I thought I would feel maybe slightly bored, but no! I really love it and have kind of fresh perspective on this demo. For me, it definitely is a fantastic relict of the past, but it has a great feeling, that music is damn good, very brutal, powerful… and these vocals… yeah, this is truly sick shit! “Bad Obsession” is very much influenced by the US death metal school, by bands such as Baphomet, Morpheus Descends, Obituary, Brutality, but it has also a small original touch to it… “Bad Obsession” is a collection of really good songs, such as “Behind the Bars”, “Black Visions”, “Morbid Game”, “Kings of Darkness”. The production is quite unique with not typical guitar sound and vocals, I think, but it’s good, rotten, filthy and heavy as hell. Definitely a worthy recording, so please listen to it!
Now… if you’re familiar with “Bad Obsession” and “The Lost of Mercy”, then both “Noc Demona” and “Ghost II” demos will surely surprise you a lot… because Ghost sounds completely different on these demos! No brutal death metal here, but a total speed / thrash in its most vicious and archaic forms! Yeah, Ghost was closer to such Merciless Death, Dragon, Armagedon (from their 80’s demos!), Thanatos (PL), Manslaughter or very early Vader rather than to Obituary. Riffs are sharp, fast, aggressive as hell and the vocals are typically harsh style of singing, with Polish lyrics. Very typical late 80’s Polish extreme metal, I would say. And maybe Ghost lacked a bit of charisma, but great and solid stuff they did for sure. Both demos are pretty much similar, but I suppose I like “Noc Demona” slightly more, how nice demo it is! Of course you can only imagine how cruel and harsh is the production of it, but it simply has its amazing charm and atmosphere! Great slashing riffing, a lot of aggression, a lot of truly fast, almost chaotic playing… what a feast! Ghost played fast like crazy, truly no mercy, no compromise, just speed / thrash to the maximum! And these infantile, satanic lyrics hehe! Just look at these titles hehe! Yes, it sounds so archaic today, so old, so “from the distant past”… but as already mentioned, it has the unique and unrepeatable charm, so it always brings me a cool feeling, when I play such music. Ghost surely was one of the best Polish bands in the days of old, so I totally recommend you this nice collection of their ancient demos. Very nice addition to everyone’s collection for sure. 

Final rate: 80/100

Cień - Time of Desolation


CIEŃ - Time of Desolation (Self released demo 2012)
Not sure, if you’re a fan of depressive, melancholic, maybe slightly doomy black metal, but if you are then here I have really cool band to recommend to you. It’s Polish Cień (Polish for “Shadow”) and damn, they’re really awesome in my opinion. Not so well known, “Time of Desolation” is only their second demo, but I suppose it’s good time for introducing and recommending you all to Cień music, as they’re just about to release their debut album “Ecce Homo” for Old Temple Records. And damn, if the music will be as good as on this demo, then it will be a very good effort. And I am sure that it will be as good, if not even better!
I must admit that I was quite surprised, when I’ve listened to “Time of Desolation”, because I didn’t expect to hear such good music from completely unknown band. In fact I thought it will be something completely useless, so the more astonished I was after listening to Cień. “Time of Desolation” caught my attention right with their first song, which opens with quite untypical (for black metal) riff. Maybe this is why „Despair, Tears and Blood” reminds me bands like Khold or Tulus… because of this main riff, rhythm, but also harsh vocals and the overall atmosphere within this song. This track is based on this black’n’roll riff – if I can it this way, but it doesn’t avoid also some more melodic fragments, which are present in the further part of the song. It already catches that melancholic, sorrowful mood, which later Cień captures even more in such “The Clock”, which reminds me the depressive, mournful atmospheres from Shining records. One of the greatest characteristics for the whole “Time of Desolation” is its diversity though. There is slow, doomy “The Clock”, but there’s also “Dead or Alive”, which is way faster and more aggressive and angry black metal song. Finally I must mention also “Where Is Your God?”, a superb song, which has a slight post black metal feeling, which I like a lot and also the strongest melodic background. Yes, each track on this demo offers something brilliant, each is quite memorable and catchy, but the final result is simply brilliant.
I must also mention really great production of “Time of Desolation”, as well as great musicianship, composition skills and arrangements (with some acoustic guitars, etc)… simply awesome performance of the whole band, including the vocalist. Luckily Cień didn’t even try to copy Furia or other Polish bands from similar musical style and went for something different. The result on this demo is great. Now I really have strong hopes for “Ecce Homo”!
Standout tracks: “Where Is Your God?”, “The Clock”

Final rate: 80/100

Friday, 17 October 2014

Belphegor - Blutsabbath

BELPHEGOR - Blutsabbath (LAST EPISODE - CD 1997)
Going back in time to the mid / late 90’s I remember that me and my friend at some point were searching for some of the most obscure, blasphemous but also the fastest death and black metal possible. We liked quite few bands, but the day, when we got “Blutsabbath” CD of Belphegor was like a revelation! Back in those days we did not think someone can be able to play so intense, but at the same time so harsh and aggressive music, so filled with profanation and sacrilege. For us, teenagers then, it was shocking, but it kicked ass! I mean, we were really impressed as fuck! Of corpse later we heard “Necrodaemon Terrorsathan”, which turned to be even better and more violent album, but “Blutsabbath” was still one of our favourites.
Is it still my favourite today? No. I like it, just as many other Belphegor albums, but I think that “Blutsabbath” doesn’t make such a strong impression today, as it did in 1997. It doesn’t mean that it grew old badly, but maybe the shocking value is gone somewhere hehe. For example nowadays the speed limit has been increased incredibly, there are also bands, which in time became more intense and violent, some are even more blasphemous (with satanic perversion exploit also)… Of course, it’s not a race, so who would really give a damn, but I wonder what would happen if “Blutsabbath” was released today, not in 1997? Who cares… Anyway, the album may not be so impressive today, but I still like it and I actually think that for sure Belphegor did some of the best death / black metal in the time of late 90’s / early 00’s. And certainly it’s one of those bands, which have their own, unique sound. All aspects – the production, the riffing, arrangements, even the vocals… all these things are quite unique and characteristic for Belphegor. You can recognize this band instantly, more so because their music has this weird tendency to be brutal and extreme, but also catchy and memorable, even melodic in many parts (like in fantastic opener “Abschwörung”). I have no idea how they made that possible, as they’re usually two aspects, which don’t like each other hehe. But I think it’s one of the reasons why Belphegor music became so successful. They simply had skills to compose songs, which were fast, extreme, blasphemous, but also memorable and easy to listen to.
“Blutsabbath” is filled with so called hits… with songs, which can sound great live and on CD. When you play this album real loud, then it is like a fuckin bulldozer, crushing and destroying all on its way, with throat cutting, sharp riffs, fast drums and sick, insane vocals of Helmuth, who really is possessed! This is what I like about Belphegor, with such killers like “Abschwörung”, “Purity Through Fire”, “No Resurrection”, “Blutsabbath”. But “Abschwörung” is definitely the very best piece here. And yes, I mentioned that I feel like this album was maybe making a bigger impression in late 90’s, but it still stands as strong and truly valuable effort. Belphegor was the best in their early albums, more uncompromising, more extreme, obscure and morbid. “Blutsabbath” is a perfect example for that. This album is better than “The Last Supper”, is really awesome, but later Belphegor recorded even more lethal stuff. Surely the best Austrian extreme metal band ever.
Standout tracks: “Abschwörung”, “Purity Through Fire”, “No Resurrection”, “Blutsabbath”

Final rate: 88/100

Watain - Casus Luciferi

WATAIN - Casus Luciferi (NOEVDIA - LP 2003)
„Casus Luciferi” is a second LP from the Swedish band Watain. And I believe this name is so well known to all fanatics of black metal, but not only, that they don’t need an introduction anymore. All in all, ever since the release of the debut or the second LP so much has happened around this band that nowadays they’re recognized like rock stars and as popular as an extreme metal band can only be. Watain still carries on their antichristian, satanic crusade, with new records… which for many are simply not quite as good as the early stuff. Well, I suppose it will always be an objective opinion of every individual, but personally I also think that the most interesting was the pre-big festivals period, when they were still more underground and known to only die hard maniacs. And „Casus Luciferi” may be actually their best effort from these early days. It may not be the perfect black metal record, but maybe it is a perfect Watain record, as it simply has everything what makes this band worthy.
“Devil’s Blood” is definitely the best song here. It actually belongs to my fave Watain songs at all, but it deserves that, for its truly killer riffing, which I could place somewhere between such bands as Ondskapt and Ofermod spiced with that unique style of black metal melody and arranging the songs known from Dissection. “Devil’s Blood” hits incredibly hard, it is fast, utterly aggressive, cold and evil when speaking of the atmosphere… but it is also kind of catchy, for its melody, excellent riff and vocals of E. A true masterpiece, if you ask me and killer opener. And with song like this you can really see how impressively Watain has matured and evolved from their wild and raging beastly debut LP. “Casus Luciferi” not only is way better recorded – and I really like the production of this album a lot! – but the music is simply more impressive. Take again “Black Salvation” and its savagery, untainted aggression and that mysterious atmosphere, which Watain creates in their music. And on top of all, there are simply some of the best lyrics I’ve ever read, with such lines as “Just as cancerous cocaine, deep in the veins of christ, the malignant curse divine floats within you all...” and “Ageless, eternal in grace. Behold the snake of temptation! Eyes gleaming with wisdom, tongues telling of truths inversed I have swallowed the hanged man's semen with necrophageous delight and let the Devil enter with all his might”. It’s all so powerful.
Generally “Casus Lucifer” is an album, which is built upon eight solid and even black metal anthems. Of corpse I have my favourites on the tracklist – and here I will definitely mention “Devil’s Blood”, “Black Salvation” and “From the Pulpits of Abomination” – but surely none of the songs could be seen as a filler or unworthy. I mentioned three songs, which I found as the most impressive and inspiring, but there are also such bestial anthems as “I am the Earth” and “Casus Luciferi”, which belong to the slower songs on the album, but have such an incredible, deep atmosphere and some more melodic, sometimes maybe even kind of melancholic parts, which I love as well. So, it’s impossible really not to get infected by “Casus Luciferi”. This is extremely good album, I love the ferocious, vicious sound of it, throat cutting riffs, as well as that evil, satanic, cold feeling, which this music is soaked with. “I am the earth, in the shadow of the Lord. A crucifix of flesh, yet sinfully adored”.
Standout tracks: “Devil’s Blood”, “Black Salvation”, “From the Pulpits of Abomination”
Final rate: 88/100

Monday, 13 October 2014

Into Darkness / Ghoulgotha - Shifted to the Red End of the Spectrum / Abnormal Paralysis

INTO DARKNESS / GHOULGOTHA - Shifted to the Red End of the Spectrum / Abnormal Paralysis (UNHOLY DOMAIN - 7"EP 2014)
Well, I keep on buying now each new release, which has Into Darkness logo on it. Yes, this Italian death combo have impressed me a lot with their previous recordings and so, when I noticed they’re doing a new split 7”vinyl I decided to get a copy immediately. Their new song “Shifted to the Red End of the Spectrum” is not so new hehe, as it was released on “Cosmic Chaos” cassette before (two other songs from it were released on separate 7”EP, so now it’s only “3C 273”, which remains unreleased on vinyl!). I am happy they’re releasing all these songs from that tape, as with 60 copies limitation I was not able to get a copy for myself and besides, I simply prefer vinyl hehe! And in case you already know the music of Into Darkness from “Transmigration of Cosmic Creatures into the Unknown” and self titled MLP, then you surely know what devastation you can expect from “Shifted to the Red End of the Spectrum”. Pure barbarity, morbid and obscure death metal… it is slightly faster than majority of other Into Darkness songs, but I love it, for its harsh production and simply killer riffs… and awesome ghoulish voice of Doomed Warrior! Giulia is great, I love her music. It is perfect death metal carnage. Rough, chaotic, aggressive, totally merciless onslaught. Hell yeah, the best Italian band after the split up of Undead Creep!
Good thing about such split EPs / MLPs or whatever is that when you buy it, because it contains a band you like a lot – like Into Darkness in this case – then sometimes you also have a chance to get to know a new band, which you did not hear about before and you’re about to be introduced to their music – like Ghoulgotha in case of this 7” split. I honestly did not hear of them before, so I would probably never bother to check them, if it wasn’t for this split… But damn, what a great band name they have hehe! For your information, Ghoulgotha is located in USA, this split is their third release, after a demo and a 7”EP released by Blood Harvest. And well, their take on doomy death metal is very good indeed. Maybe not quite as killer as Into Darkness, but I like them a lot as well. When compared to “Shifted to the Red End of the Spectrum”, “Abnormal Paralysis” is slower, way more doomy and heavy, with great massive riffs and brutal production. What a joy to listen to such obscure, creepy sounds! I am very happy that thanks to such bands as Hooded Menace this eerie, doom death metal has been resurrected and such bands as Ghoulgotha play it in such an awesome way. What a nice surprise then, so prepare yourself for sick, slow stuff! And the debut album is coming through the mighty Dark Descent. Once it’s out I am getting a copy for sure!

Final rate: 80/100

Sunday, 12 October 2014

Torturerama - It Begins at Birth

TORTURERAMA - It Begins at Birth (DOLOREM Records - CD 2014)
This is the second demo of Belgian Torturerama. Their first CD “Left as Remains” I liked a lot, but you know what? This second recording, “It Begins at Birth” is even better!! Hell yeah! I like it so much that my skull is literally exploding in ache, after the maniacal headbanging have been performed while listening to it. Yes, this is truly killer demo. Obviously these Belgian Bastards still walk a similar path as on their previous release, so again they offer a well known death metal, influenced by the old school Swedish bands. Again they have a strong inspiration from such Dismember, Carnage, Entombed and such newer bands like Entrails, Puteraeon, Interment, Mordbrand… No one should deny the similarities. No one should also request for originality and fuck knows what… because you won’t get them. This is traditional, straight to the bone, pure death metal. But it slays like mad, it crushes and sounds truly brilliant. Nothing else matters.
I consider “It Begins at Birth” to be better than the debut, for Torturerama have improved everything on it. First off, the sound! Yes, I liked that rough, vulgar production of the first demo, but I like the sound of “It Begins at Birth” more! It is cleaner, but still very aggressive, very powerful and it obviously has the great guitar tone of Swedish death metal, plus I just love how the bass guitar sounds here. Plus killer drums… and finally the vocals, which definitely are sounding better than on the previous demo. So, you see that it can’t go bad way. And it doesn’t, also because the songs are truly fantastic. “Sheppard of a Secret Realm”, which opens the demo, is so damn fantastic, has great, creepy melodies and killer atmosphere of horror! What a great riffing, very good, obscure vocals… There are four songs in total, and believe me, I like them all. They’re more melodic sometimes, but still aggression, morbidity and disgust are important for the sound of Torturerama. I don’t care if you say that already 20 years ago there were many bands playing this style and also nowadays there are too many similar acts, so such release is not so special anymore. I don’t care, because for me a well performed, well recorded Swedish death metal influenced recording will always be special. And fuck, “It Begins at Birth” is awesome! If you don’t believe me, then give a listen to “Necromantical Tendencie” – this song will slay you with no mercy and rip the guts out within seconds! Remember, 100 copies only available!
Standout tracks: “Sheppard of a Secret Realm”, “Necromantical Tendencie”
Final rate: 85/100

Saturday, 11 October 2014

Torturerama - Left as Remains

TORTURERAMA - Left as Remains (Self financed demo CD 2011)
It’s weird that Belgium never managed to form a quality death metal scene… All countries surrounding them, especially The Netherlands, have so many killer acts, both old and new, so many killer albums and demos… And Belgium? I simply cannot think if any truly superb, classic death metal band from this country, except Blasphereion / Morbid Death. OK, I may also mention Aborted, for they have a couple of better releases in the discography. But let’s be honest… this is very, very few names to mention. So, finally I am happy to discover a new band, which delivers some killer death tunes. And they’re called Torturerama! Ha, don’t mistake it with Terrorama hehe! The band was formed in 2008 and “Left as Remains” is their debut demo! And man, I must say that I really enjoyed this recording.
“Left as Remains” has everything what old styled death maniacs should love. Their music is deeply rooted in the Swedish style, more so, Mr. Skogsberg (anyone heard of him hehe?) is responsible for the mastering – so, the sound obviously is classically harsh and dark, with that buzzy chainsaw guitar sound we all love. And more so, Erik from one famous Swedish black metal band (guess which one!) is responsible for the artwork. Nice!
Now, speaking of the music… the sound reminds me especially one LP, and it is Dismember’s “Indecent and Obscene” / “Pieces”. And these are also the more rightful directions, which you should look at, if you want to know how is the Torturerama music on “Left as Remains” sounding like. Add obviously some necessary ingredients from old Entombed and here we go… Take “Last Piece” and you will know exactly what I mean. Crispy sound, crushing, sharp riffs, some slow, some mid paced and some guitar harmonies, which can be influenced only by one death metal scene in the world. Basically each song is based on them, like “Merciless Exsanguination”, which is so Dismember… Ha ha, but it’s good stuff. Sure, Torturerama doesn’t offer anything new, anything extraordinary, but rather common, old school Swedish death metal, but they do that in proper, good way, with some killer songs, killer riffs, great morbid atmosphere… simple, passionate playing. I don’t expect to hear anything more than that. Very good band indeed.
Standout tracks: “Merciless Exsanguination”, “Last Piece”, “Left as Remains”

Final rate: 70/100

Friday, 10 October 2014

Hades - …Again Shall Be

HADES - …Again Shall Be (FULL MOON Productions - CD 1994)
What an exciting time was in Norway back in the early / mid 90’s! I don’t necessarily mean the criminal aspects – although they surely gave a lot of attention to the whole scene and they’re to be blamed for the bad or good press and the eruption of new trend. But let’s put aside all that ideological matters, however important they were and also despite their influence on creating the special spirit to the whole scene. But, when writing it was exciting time, I mainly meant the musical aspects of Norwegian black metal. All in all, so many truly amazing and great albums have been recorded at that time! And many I can call cult, because they deserve it, also because almost every band had something unique to offer and had original sound and style each. Hades from Bergen was one of such special nocturnal hordes for sure. They may have came quite late, as the band was formed in 1992 – before Jorn played in Old Funeral and had an episode in Immortal, and I think Hades was formed after Old Funeral split up. Anyway, the band quickly proved to be one of the most special Norwegian bands, first with their classic demo “Alone Walkyng”, followed by utterly classic and cult debut album “…Again Shall Be”, which for me is of the very best Norwegian black metal albums of all time. It has everything; great sound, great playing and riffs, killer cold and dark atmosphere… and history behind it.
I love the opening, instrumental track, which is so damn epic and monumental, so atmospheric at the same time… It is obviously strongly influenced by the great and only Bathory, but at the same time it is unique, as Hades is a unique band. When I listen to “Pagan Triumph” I also realize how awesome is the production of the whole album… killer, raw guitar tone, drums, which sound like thunder... I really can’t think of ANY other Norwegian or whatever band, which would have a sound like “…Again Shall Be”. And that says a lot about how excellent and exceptional this LP is. But going further, we have amazing anthem called “Hecate (Queen of Hades)”, which is just… again, damn monumental and majestic, but also dark and angry. This time I also notice fantastic vocals of Janto, whose shrieking and harsh voice fits this music perfectly (he also uses clean vocals in some parts, which also fit the style of Hades music brilliantly) and also some great guitar harmonies, which make the whole album sound even more interesting.
And you know, I’ve been knowing this album since probably 1996, when I got it on cassette and damn, I still can’t get enough of it, I still think that every song on it is just perfect. It never gets boring, it excites me every time I listen to it! Such “The Ecstasy of an Astral Journey” for example – what a fantastic song, there are some riffs in it, which give me so much power and goose skin, plus those keyboards and acoustic guitars and screams of Janto... it is absolutely amazing and essential Norsk epic black metal. Damn, people praise Immortal, when they play some Bathory like stuff, but for me Immortal is not even half as good as Hades on their early albums. Another truly outstanding and my favourite song is the title track… again the riffs are memorable, heavy and the atmosphere is just perfect. Then there’s “Unholy Congregation”, one of the most aggressive songs here, but again so memorable, with quite catchy, but raw and obscure riffs. In my opinion Hades managed to find a secret way to compose monumental, but aggressive, harsh but memorable songs – something what is quite rare or almost feels impossible to do. More so, they had many fantastic ideas, incorporated some brilliant acoustic and drum patterns or whatever motifs into their songs, which only make them sound more incredible than they already did. And another awesome example for that is “Glorious Again the Northland Shall Become”, filled with acoustics and other stuff...
There’s simply not a bad song here, not a single boring moment. I know that things like a perfect record do not exist, but damn… “…Again Shall Be” is just as close to it as not many other LPs. And truly along with “De Mysteriis Dom Sathanas”, “In the Nightside Eclipse”, “Vikingligr Veldi”, “Under the Funeral Moon”, “Bergtatt”, “Borknagar”, “The Shadowthrone” and few others, this is a classic LP, which stands pride as a legendary now. Absolute must to have for sure.
Standout tracks: “The Ecstasy of an Astral Journey”, “…Again Shall Be”, “Unholy Congregation”, “Glorious Again the Northland Shall Become”

Final rate: 100/100

Thursday, 9 October 2014

Celestial Bloodshed - Cursed, Scarred and Forever Possessed

CELESTIAL BLOODSHED - Cursed, Scarred and Forever Possessed (DEBEMUR MORTI - CD 2008)
The common opinion says that the best black metal from Norway is the one, which was released in the early 90’s. Well, I agree in most part, but at the same time I must admit that 00’s have brought us also several truly killer and influential black metal releases. Bands like Taake, Urgehal, Throne of Katarsis, 1349, Dødsengel, Koldbrann managed to ablaze the sky in great way as well and I cannot imagine black metal maniacs not paying attention to them. There’s one more name, which I can honestly add to this list and it’s band called Celestial Bloodshed. It is one of the newer bands, as their debut LP “Cursed, Scarred and Forever Possessed” has been unleashed upon mankind in 2008, so quite late (since then the band also released an album titled “Omega”, before splitting up in 2009, after the leader of the band Steingrim Torson was shot dead), but I am surely impressed by this album.
And it doesn’t matter that “Cursed, Scarred and Forever Possessed” is walking the well known paths of Norwegian black metal. Originality is not something I would care about. I don’t care also if bands like Gorgoroth, Urgehal, Koldbrann and so on, did similar job on their records and maybe some of them are better than Celestial Bloodshed, nor if they’re more popular and… cult hehe! Who cares. “Cursed, Scarred and Forever Possessed” offers very well performed and arranged classic black metal and I can’t find anything wrong on this album. I love the production, because it is simply perfect for this kind of black metal, for the harsh and powerful, but no way primitive sound. Then I also like the songs a lot, even if they don’t sound like some shit extravaganza few other Norwegian bands offer and in many aspects the music of Celestial Bloodshed can be called typical and common. But it is still damn good and solid. “Cursed, Scarred and Forever Possessed” is filled with dark, malignant, cold atmosphere, which is necessary in this sort of music. More so, quite often the music has this misanthropic, sorrowful mood, what I also like. And at the same time there’s a lot of anger, ferocity, viciousness and aggression... Pure carnage and annihilation right in the traditions of Gorgoroth, Darkthrone or Mayhem, played in the simple, almost sort of hypnotizing and maybe slightly monotonous way (which not necessarily must be a negative aspect, if it mean the mesmerizing way), with the same fast pace and one of two fast riffs, hardly with any variation. You can hear it in such anthems like “Truth is Truth, Beyond the God”. Luckily Celestial Bloodshed has also such tracks like “Cursed, Scarred and Forever Possessed”, which begins with slow, melancholic riff and then transforms into a real black metal beast. And finally one of my favourites, if not the favourite, is “All Praise to Thee” – what a brilliant track! It is almost doomy, filled with slow riff, wailing, harsh vocals in the vein of Attila and sorrowful atmosphere… And the whole album ends with “Demon of Old” and it’s just a fuckin killer, black metal onslaught and devastation.
So, “Cursed, Scarred and Forever Possessed” will not deliver anything new and extraordinary. It is traditional Scandinavian black metal, but if you’re worshipping Urgehal, Armagedda, Pest, Koldbrann and the old cults, then Celestial Bloodshed is for you. Very recommended to the maniacs.
Standout tracks: “Cursed, Scarred and Forever Possessed”, “All Praise to Thee”

Final rate: 75/100

Bloody Sign - Primitive Horde

BLOODY SIGN - Primitive Horde (Self financed demo CDR 2002)
Damn, I almost forgot I have this demo in my collection. It’s been so many years since I received it from the band (I think I got it from then bassist of Bloody Sign, Nathaniel, who also did killer Mutilating Process zine!). And so much have happened since then. Bloody Sign released three full length albums, some splits and already split up in 2010 (but Uibo brothers have formed Chaos Echœs!)… At the time, when I got this demo, Bloody Sign was completely unknown, but I discovered that “Primitive Horde” was already their fourth demo recording. But later then became quite respected and recognized name on the map of underground, obscure death metal. Ha! It is so good then that I found this demo and can listen to “Primitive Horde” again, especially as the last time I listened to it was probably just when I received it hehe.
Musically / stylistically it differs obviously from the future Bloody Sign recordings, especially from their late albums. “Primitive Horde” is nothing more or less, but a filthy, raw, maybe primitive (hence they used this word in the title hehe), bestial death metal, with brutal, cavernous production and deep, guttural vocals. It’s nothing innovative – although already on this demo the band made a song, which has this weird feeling; something they did also in the future. I’m talking about “Luuk”, which surely is a track that stands above the rest of the material here, since that rest is really nothing outstanding or truly memorable, just demo quality raw death metal, which still needed a lot of improvement, in basically every aspect (production, compositions, performance, etc). And improve they did on the future materials, such as awesome “Vana Vigala Loits” and “Chaos Echoes”. “Primitive Horde” is just a nice item in the collection, but next time I will listen to it will be in ten years again hehe!
Best song: “Death of a Voyager”

Final rate: 60/100

Wednesday, 8 October 2014

Ares Kingdom - Return to Dust

ARES KINGDOM - Return to Dust (Nuclear War Now! Productions - LP 2006)
Now I am going to remind you one hell of a lot underrated US band – Ares Kingdom! Someone would assume they have all what’s necessary to be more popular, being a successor to the cult of Order From Chaos. But Order From Chaos was never really a mainstream band, but an entity known only to the diehard maniacs of death metal cult, so maybe this why their name didn’t bring more attention to Ares Kingdom. Besides, it took ten years before Chuck Keller and Mike Muller released this album, so people probably forgot about them… but for me it is a lame explanation and I just think Ares Kingdom deserves more attention than they already received. This review won’t change much, but maybe it will introduce this band to some people out there? Who knows… I already reviewed “Incendiary” album, which is my personal favourite in Ares Kingdom discography, now it’s time to describe the debut LP!
When I listen to “Return to Dust” I feel that this LP must have been just exceptional at the time of its release. Why? It’s like swimming against the tide, I think – everybody around tried to play as brutal, as technical and as fast as possible, to the point of nonsense and meanwhile Ares Kingdom came up with an album, which was old school to the bone, where the riffs actually have some meaning and are not just to provide unreadable background for blasting drums and piggy vocals. “Return to Dust” is completely different in that manner; it contains classic metal riffs (based very much on the traditional heavy, speed and death metal… archaic maybe it is, but who cares!), with clearly selected verse and chorus parts, but also with some longer instrumental passages influenced by the classic metal masterpieces… and there’s also this wonderfully organic, warm production – it just sounds like a band playing live, which is not so normal anymore! Yeah, in songs like “A Dream of Armageddon” the heavy metal influence is so clear that only deaf won’t catch them. Obviously it also means that you should not seek for a sheer brutality, death metal violence and obscurity from Ares Kingdom, as “Return to Dust” is just not like that. Obviously it is still damn aggressive album, listen to such “Failsafe”, which probably is the most uncompromising track on the album and tell me if it didn’t force you to bang the head hehehe! It’s just different kind of extreme. But on the other hand such song as “A Dream of Armageddon” is just something completely different; it is kind of epic, you know? It’s almost nine minutes long, slow to mid paced, traditional heavy / death – however that sounds to you hehe – metal song, but listen to some of these riffs, patters, guitar leads…
“Ironclad” is also such song, so it is more lengthy and epic, but I must also mention “Firestorm Redemption” for its aggressive, thrashing riffing. I love that song and it probably is my favourite piece from the whole LP. I don’t maybe understand what was the purpose to include two instrumental pieces one after another close to the end of the album, but that is not something what would really bother me (especially as the riffing in “None Escape” is truly killer!!!!!). And hmm… I sometimes have a small resemblance to Destroyer 666, so if you like these Aussie maniacs, then you know what to expect here, but maybe in more traditional form! But maybe even more I have some resemblances to Pentacle from such LP as “Rides of the Moonstorm” – all in all this is some excellent metal!
I often notice that people tend to compare Ares Kingdom to Order From Chaos, but I won’t do that. I would rather treat them as two separate entities – just like I consider Angel Corpse as separate band from Order From Chaos. Sure, Chuck Keller probably has something like his original, trademark way of composing and guitar playing… but I am not such an expert to break the music into such small details, make mathematic formulas, etc. So, let’s skip all this shit. It must be said though that “Return to Dust” has been released ten years after Ares Kingdom was formed and since Order From Chaos split up, so it is obvious that many things have changes and there’re many dissimilarities between both acts. I see Ares Kingdom as a band, which is more traditional, almost archaic, speaking of their style, which combines death, thrash and heavy metal. And as such “Return to Dust” is just great album, but not my favourite in their discography, as the second LP “Incendiary” is even better. So, I just must recommend you Ares Kingdom… to all of you, die hard metal maniacs; if you still don’t know this band then fix this mistake quickly.
Standout tracks: “Firestorm Redemption”, “A Dream of Armageddon”, “Failsafe”

Final rate: 79/100

Wednesday, 1 October 2014

Abusiveness - Bramy Nawii

ABUSIVENESS - Bramy Nawii (ARACHNOPHOBIA - CD 2014)
It’s been a long and huge expectation for the new Abusiveness full length album – after their best work so far, which was “Trioditis”, it quickly passed seven years already! But in the meantime the band delivered a couple of split materials and a 7”EP, so it was not a wasted time… Anyway, being a fan of this Polish band I really wanted to hear new full album, not just some appetizers. And finally it arrived! “Bramy Nawii” came with the logo of Arachnophobia, which was a good news for me, since this small label have done brilliant work for their previous releases (which all were killer… great run so far!). And shortly after the release date I already had CD in my hands and it literally has been the most listened album of the past month. Did you expect anything else, really?
And so, “Bramy Nawii” resounds in my chamber of annihilation hehehe! And I am very pleased! I can sincerely say that this is yet another truly great album from this Polish band. They never really disappointed me, and with “Trioditis” Abusiveness reached the peak of the greatness. And I am not quite sure whether this new album is better or not when compared to its predecessor; maybe it’s just equally good, but it is only a objective feeling, which may change every time I listen to both albums. Both have something exceptional to offer. Both are strong and unique… so, let’s just call it even!
In many ways “Bramy Nawii” is a natural continuation of “Trioditis”, the style of Abusiveness is so characteristic that you can recognize the band right away, but obviously the new album is not a copy of the previous materials. The band incorporates some new patterns here and there, but generally the album walks the good, well known path. Sometimes “Bramy Nawii” brings some surprising and weird resemblances; for example every time I listen to “Prawia” I have a feeling like it reminds me Anaal Nathrakh! Yes, I know it is very odd and that these two bands may not have so much in common. But what reminds me Anaal in “Prawia” is that combination of furiously fast, neckbreaking and uncompromising riff I the verse part with catchy chorus sang with clean, epic vocals. Anal Nathrakh have also made quite few similar songs and maybe they offer way more chaotic and extreme style, but it’s just that mixture of two opposite styles within one song what connects both bands. And damn, surely “Prawia” is one of the best tracks here, along with such “W górę chorągwie”, which is just another killer Abusiveness song, so is “Żywe kamienie”, which I just love for its sheer brutality, unstoppable cannonade of fierce riffs, blasting drums and again a combination of harshness with epic, clean sang chorus. Finally there’s “Proces”, which is another killer anthem in my opinion! And speaking of the drums, I am so impressed by Wizun’s work on “Bramy Nawii”. Damn, this man was injured recently in the car crash and so quickly was able to torment us with such perfectly executed, furiously played drumming. Hats off for his performance!
Back to the material on “Bramy Nawii”. I always said that Abusiveness is one of the most characteristic bands here on the Polish black (pagan) metal scene. Ever since the late 90’s, when I got their demo “Dwie twarze mroku” I was impressed by their music, also because it was quite original; they always had specific and unique riffs, with characteristic melodies, and also the vocals were always their great strength and something what distinguish the band from the rest of the scene. And that style was only better and better with every full length album, the production was also improved on each next recording… If you take such “Hybris”, which is also excellent album, but seems to be harsher, more uncompromising (besides, it also has mainly English lyrics, what doesn’t fit to Abusiveness in my opinion) then the evolution is quite obvious and goes in the right way. Sure, the music becomes maybe more melodic sometimes, maybe more epic other time, but still it’s so furious and intense as fuck! “Bramy Nawii” is a fine confirmation for all what I just wrote. Ever since the first riff, first vocal parts I can say that it is Abusiveness, no other band and I am impressed. This is a band with its own style and such song as “Lędziańska krew” is a fine proof for that. It is very classic track for Abusiveness, with these specific melodies and vocals, also with characteristic arrangements. So good. I suppose that “Welesowy cień” is the only song, which I like little bit less here. It is still very good and maybe it even has the strongest heathen feeling from the entire album… but it’s just the song I like least from the whole tracklist.
Anyway, the final result is truly excellent. I sincerely like this album a lot, but its high quality is not a surprise for me. I have most of the previous Abusiveness works in my collection already and all of them are great. “Bramy Nawii” along with “Trioditis” is my definite favourite. It is perfectly executed (oh, those drums, killer vocals, great, intense riffs!), superbly produced – so powerful and energetic, at the same time this album sounds so natural, so organic, not like some of the plastic productions we get nowadays… It is not perfect record, it can always be better, but damn… Abusiveness is as close to perfection as never before. I seriously recommend you it. 
Standout tracks: “Prawia”, “Proces”, “Żywe kamienie”, “W górę chorągwie”

Final rate: 85/100

Sturmtiger - World at War 1914-1918

STURMTIGER - World at War 1914-1918 (BLACK PLAGUE Records - CD 2014)
World Wars became as important lyrical theme for extreme metal bands as the good, old fashioned (hehe!) antichristianity or occultism, but so far most of them deal with the first of the Great Wars, maybe it’s because it is more attractive to some people from the visual side? Anyway, I can remember such bands as God Dethroned, Decaying and Operation Winter Mist (among others) dealing with the older of two wars and I mention this because here is another band, whose concept is based on it – Sturmtiger. I don’t think I’ve ever heard of this band before, but I took the opportunity to review its “World at War 1914-1918” – which is their debut album. It seemed like a promising effort and certainly it turned out to be one!
And now after several listens I can say that I like this album. It contains only five tracks plus intro (plus two bonus tracks, which I will mention later), so it is not too lengthy, but it’s enough to kick some ass and cause a serious bloodshed. This is bestial death / black metal, played in rather simple, but not primitive manner, with the obvious resemblances to such masters of repulse and abhorrence as Revenge, Black Witchery, Angel Corpse / Order From Chaos, Axis of Advance, Urgrund, D666 and more! The music is violent, obscure, raw and ominous… and maybe also “World at War 1914-1918” doesn’t offer anything spectacular or unheard before – actually it is rather mediocre effort… but! But I still like it. It simply has this morbid and sick feeling, which I enjoy in the music and more so, it is perfect if you want to just play something simple, but pure and sadistic, aggressive and cruel – just as the war is! Most of the songs on “World at War 1914-1918” are fast, with some slower moments, but at the same time they’re kind of catchy, because of the simple riffs and arrangements. Just the classic bestial war death / black metal, but I like that it not only sounds powerful, but also that the production is quite good, very heavy and thus the riffs sound so fuckin massive…
And I mentioned two bonus tracks. They’re older songs of Sturmtiger, taken from their debut self titled 2007 EP and well… I don’t like them. They sound like completely different band, stylistically it’s mediocre black metal in more Scandinavian way, but nothing really interesting. And more so, they simply don’t fit the rest of “World at War 1914-1918”, so honestly I would prefer if the album stopped on “War Power”, which is the final song. These old tracks break the whole feeling, you know? So, I rather skip them every time I play this album… Anyway, I am quite glad to receive the chance to hear Sturmtiger. Listen to such song as “Tank Attack” and get in the frontline!
Standout track: “Tank Attack”
Final rate: 70/100

Sunday, 28 September 2014

Hegemone - Luminosity

HEGEMONE - Luminosity (Self financed CD 2014)
Maybe I am not the biggest and most fanatical fan of post metal in general, but I do admit to like this style, to like that sound and exceptionally good atmosphere of such music. There are some bands like Russian Circles, Pelican, Isis, Long Distance Calling, Fleshworld and some more, which I just can listen to all day long. And there are obviously also quite few outstanding black metal bands, which combine the post metal playing and mood with black metal characteristics – something I also like a lot also and find so special. So, I am not a stranger to this whole style and I am also not someone who feels disgust for the more progressive side of this music – and I write that as I know that there are some die hard antagonists to such progressive side of the extreme. Which is not my headache and problem. But I got immediately interested in Polish band called Hegemone, when they contacted me to review their debut album “Luminosity”. So, I spent last six or seven days on listening to this CD and I must admit it was a great pleasure and a very good experience.
I think that “Luminosity” is not an album, which will bore you, as there are so many surprises, so many specials in every song… Sure, the whole thing is mainly about building the atmosphere, the proper feeling, with great, well built song structures, long instrumental passages, etc, but it’s also properly aggressive and even harsh in some moments, so I think it’s not an album for post (black) metal fanatics exclusively and maybe more people will be able to find something interesting in it. Which I hope will turn this way and provide Hegemone a lot of attention - with “Luminosity” they certainly deserve it! Anyway, as mentioned before, I see this album as some truly worthy and impressive piece. Ever since the first listen, Hegemone caught my attention and I have listened to the whole album many times now, every time with a great interest.
As mentioned before, one of the main characteristics of “Luminosity” is its great diversity and the careful setting up of the atmosphere. Take the first two songs now; “Diurnal” opens the album in quite harsh way and it is a very good opener indeed. The tempo is rather slow, the riffs seem to crawl in the murky surrounding; stylistically it is very close to some post black metal bands, so I have been hooked immediately. But then there’s really outstanding piece titled “The Hunt Within”, which is over seven minutes long instrumental track, filled with killer post metal riffing (which actually seems to be quite simple and almost monotonous, but not in negative meaning of this word, but rather as mesmerizing), which build the tension perfectly… and the real highlight of the song is use of the saxophone, which adds something truly sick and twisted to it. But damn, I like it a lot. This is one of the main reasons, why I like this whole style of extreme music… sometimes you don’t even need the vocals, if the riffs speak for themselves and generate almost sort of hypnotizing mood. And that is exactly the case of “Luminosity” and this instrumental song especially. But of course there are even more truly great parts and surprises on the album. “Away From the Sun” for that case begins with slow, atmospheric part only to be surpassed by a fast, almost classic black metal riff! Maybe some listeners will say that blasting part can destroy the atmosphere of the music, but I don’t think so and definitely “Away From the Sun” is one of my personal favourites on the album. But even more I like “Lowborn” – what a great combination of heavy riff and melancholy, with some gloomy sounds of keyboard. Finally the album is summarized by “XXXIX”, which is also the longest track (with over 12 minutes on the clock!) and also the most epic, I suppose – just listen to how it is built, especially in the beginning.
I am not saying that “Luminosity” is a perfect album, as there can always be some better songs, better arrangements… maybe Hegemone can concentrate even more on the long, instrumental parts, maybe they can add some clean vocals… who knows what plans the band have for the future. But I know one thing – “Luminosity” is damn solid and good debut CD. I am very pleased with it, I have enjoyed it totally, so my sincere congrats to the band for releasing such a good debut. I definitely will recommend Hegemone to all and will keep my eyes open on the future of this band!
Standout tracks: “Diurnal”, “The Hunt Within”, “Lowborn”
Final rate: 80/100

Selbstmord - No Forgiveness!

SELBSTMORD - No Forgiveness! (DEATHRUNE - CD 2012)
Ehh… I suppose that I should start this review, saying that I am not necessarily a big follower of the so called NS black metal scene. Not that I am really bothered by the controversy, the extreme ideology of such bands – because I am not, I can tolerate it, even if I do not agree with them so much and find many aspects of it as simply idiotic. I guess the biggest problem I always had with such bands was rather the fact that with big mouth didn’t come any great music and seriously, there were only very, very few worthy bands within this extreme scene. So racial hatred, fascism and politics aside… but it is also one of the reasons why I never bothered to check Selbstmord more deeply. There’s too much awesome and truly killer stuff around to care about such bands. But recently I had no choice, but give Selbstmord a more careful attention, as Spanish Deathrune sent me a copy of “No Forgiveness!” CD for review, so either I wanted or not, I simply had to put it into the CD player, listen several times and now I must review it. Life sucks hehe! OK, I exaggerate now, as I am not one of those pussies, who scream in fright that “there’re Nazis on the board!”. I don’t care! Fuck politics, fuck racial purity, let’s listen to “No Forgiveness!”!
Ha, and here’s something what I would not expect! It turns out that Selbstmord’s “No Forgiveness!” is not bad at all and it is actually quite good album! You know, most of the stuff from similar bands was: 1. Badly recorded, 2. Pitifully composed and performed, 3. Had terrible vocals and everything else – simply most of them were entirely shit. Selbstmord’s album is like against all these accusations, because it is 1. Really well produced, 2. There are very good compositions, with some splendid parts, very well played and 3. I am actually listening to it for the third day in row and there’s really nothing pathetic about this album. Of course I will not comment the lyrical content of it and texts like “By wygrać wojnę ras”… I rather concentrate fully on the music, which is very good!
“No Forgiveness!” is harsh, cold black metal, played in relatively fast tempos (but not entirely!), but it’s often also quite melodic… and that melody when combined with rawness and bestiality of black metal brings interesting and great result. There are some killer riffs, memorable parts, great atmosphere throughout the whole album – so yes, I am very positively surprised and listen to “No Forgiveness!” with a honest pleasure. Tracks like “Archanioł pożogi”, “Bractwo bezprawia” or those fast pieces like “Endlösung”, “No Forgiveness” and “Armies of the Sun” are great! These fast songs, but also the vocals and the whole atmosphere of music, remind me some early Thunderbolt albums, so it is a very good recommendation! At least for me it is. On top of all, there’s a lot of diverse playing on the album, so I can only congratulate the band for putting out such a good material. And as mentioned before, I had no expectations whatsoever, I thought it will be another low quality shit, so I was mistaken! And very positively surprised. So, well done Selbstmord, I am surely putting another very good name on the map of killer Polish black metal.
Standout tracks: “Armies of the Sun”, “Bractwo bezprawia”, “Endlösung”, “Archanioł pożogi”

Final rate: 70/100

Sunday, 21 September 2014

Thunderwar - interview

THUNDERWAR - interview with Witold
This young band stormed through the underground with no hesitation and quickly became one of the most recognized new acts from the Polish death metal scene… and all that thanks to only one, self financed EP "The Birth of Thunder" and some seriously awesome and important gigs, which were lately performed. Yes, Thunderwar is a name to remember. At the moment they’re working on the debut full length album, but this conversation is still mainly dedicated to the debut recording and beginnings of the band. So read it, enjoy it and support Thunderwar, as I am quite certain that with the upcoming album they’ll get some serious recognition. Witold answered my questions!

Hi there Witold. Ha, I must admit for me this is quite unusual way to do interviews, but I hope everything will go well. I wonder first though, how many interviews have you guys answered recently? I mean Thunderwar all of a sudden became quite well know band, not only in Poland, but in the world underground! And everything seems to go so quick with you - you appeared out of nowhere with self financed MCD and without a help of a label you managed to get it promoted decently and get recognized. I'm sure you must be quite happy with how the things are going, right? Have you expected this to happen?
Hi! It's true. Thunderwar has made significant progress since the release of the EP. I admit I'm really happy with it, but I was sure it would have a positive response in both Poland and abroad. We've really put a great deal of work into the releasing of this material (and money as well haha). Finally I believe that the investment returns to us every day. Since then, we've received a lot of really cool offers and we're getting them still.

Does it put any sort of pressure on you, when composing the new album? I mean, the great and positive feedback on "The Birth of Thunder" also creates the expectations in maniacs, who will want to hear more and even more deadly stuff. How do you cope with these expectations? Or maybe you simply do not bother and just play what you have in the guts... and the effects will come later...
With releasing ”The Birth of Thunder”, we've raised the standards, but I know that my band is developing all the time and we're not straying from the taken course. We've received a lot of positive feedback, and played big shows, but we're not resting on laurels but still pushing forward. It's only the beginning of our journey. While creating music, I try not to be under any pressure or constraints. I believe it would have a harmful effect on the truthfulness and quality of our music. I want everything to come out naturally.

Were you surprised with that positive feedback you received for "The Birth of Thunder”? I mean, you're a total newcomer, with really young guys in the lineup and already your first official release gets such a good reception. It must be a great satisfaction for you and stimulation for more! It surely met your expectations! What opinions have stack in your mind the most? Do they come together also with gigs offers and contract offers from the labels?
As I've said before, I was prepared for the positive feedback. Having heard lots of Heavy Metal, I have far too much of an ear for it, and criticism for my own work, to release some shit material. It's really nice to read the enthusiastic opinions about our MCD, whether it's from the critics or just posted on forums and in comments. It reinforces our conviction that we're heading the right direction. One thing that was certainly a big distinction for us, was playing shows with Amon Amarth, Obituary and Carcass in September. It was a great experience enabling us to see how this world functions ”behind the scenes”. As far as the contracts are concerned – we've had a couple of offers, but we'd rather not search for a label until we've released our complete record.

I mentioned the age of all of you and I really base it on your photos only, where you look like the early 20's. Well, tell me then, how have you all discovered the lethal music? What were your first encounters with it and more so, since the music of Thunderwar is rather old styled, then what pointed you into the old school direction? Was it just natural thing? Or maybe you don't agree and don't see your music as old school? Which classic albums would you say have the biggest influence on you?
I was lucky that in my home noone listened to shitty music. It was really thanks to my parents that I got to know bands like Iron Maiden, Judas Priest, or Metallica (this still being before the time of the internet haha). When I started maturing, I felt the hunger for extreme music. The breakthrough for me, was seeing the music video for Kreator's ”Betrayer”, which literally blew me away. This was what I was looking for! Later it was like an avalanche... I lay my paws on the records of Morbid Angel, Sodom, Unleashed, Death and Immortal. When it comes to the old school spirit in our music – we refer to the roots of the genre, but we don't want to do historical re-enactment. We believe that music in those times was more honest and natural. I completely don't understand those plastic-dripping, modern death metal bands. Dave Brockie, in one of his interviews, once said ”I believe that today's metal sounds like a load of instruments thrown down a staircase”. I agree comple
tely. The digitalised sound and overdone editing, serve metal no good. Of course, I don't want to generalise, because I only refer to the trend which, I hope, is at its end. As far as I can see, there is a tendency to return to the live and natural sound. The proof of this, for example, is the recent work of Tribulation. As for the albums which have had the greatest influence on me – the milestone is Dissection's ”Storm of the Light's Bane”... it's just perfect in every detail. One of the best albums in Heavy Metal history. Next comes Bathory's ”Blood Fire Death”, Iron Maiden's ”Somewhere in Time”, ”Agent Orange” by Sodom, Judas Priest's ”Painkiller”, ”Symbolic” by Death... I could keep naming without end, since every single one of these records continuously inspires me.

You mentioned the newest Tribulation LP. I see it, as well as Morbid Chron and Miasmal latest efforts, as some sort of new quality within this rotten old styled niche. I even foresee that they may create some sort of new sound and trend... How did you like these new LPs? And also some other newer old school death metal bands, many of which are just utterly killer... Any favourites there? More so, you mentioned such Iron Maiden and Death... and I bet that for you, as a guitarists, the guitar work in these bands, and also of such James Murphy, is very influential...
Tribulation's latest album is definitely the one I like the most. A magical sound, the music composed in a very original way and a great atmosphere. You can also hear the black metal influences, like that of Watain or Dissection, which I consider a great advantage. In spite of the whole thing sounding very oldschool, I believe the final effect on the record to be very fresh. When it comes to the new bands, which have caught my attention, I would highly recommend the Swedish Degial, and The Dead Goats, from our home country. The first is a fusion between the first productions of Morbid Angel and Possessed. The second one, a homage to the Swedish bands like Entombed and Dismember. Of course James Murphy is a great inspiration for me, just like the majority of the musicians, who appeared in Death. I always liked the way he used the movable bridge. My top choices would also be: Marty Friedman, Dave Suzuki, Jeff Loomis, Paul Gilbert and Yngwie Malmsteen. Since I started playing the guitar I learned the feel / technique from their tutorials. You can say they were the ones who taught me the most haha. Until today, they're still a great inspiration for me.

And what can you say about these gigs you played with Amon Amarth and Obituary. How did they happen? I must say that while I completely don't care about Amon Amarth, then Obituary is a legend, one of the first death metal bands, which I started to listen to back in 1991. So, I bet that also for you it must have been a honour! What were these gigs like and also, did you have a chance to talk to the guys from more known bands? How was the feedback and the whole gig like?
It happened that we were just given an offer to play these concerts. As I said before it was a great honour for us, especially that we only have one single and an EP released. Both shows were really well organised and we had the opportunity to present ourselves in front of a great audience. You know, Obituary and Amon Amarth are really big bands and integrating with fans is really tiring for them.
I myself don't like being a nuisance to anyone, so we only exchanged some casual small talk and I gave some of the members our EP. I think the impressions from our shows were positive since all of the records and T-shirts, we had in our merchandise were sold out.

Back to history of the band… Thunderwar was formed under the name Perun... and I must say that such name would never tell me that we're dealing with a death metal band, as Perun fits some pagan / folk metal bands better hehe. So, I suppose it was a main reason why you have changed the moniker? Do you remember how you guys gathered and formed this band? Who came with initiative?
The main reason for changing the name, was the problem with foreigners pronouncing it right and the fact, that there already are a few bands with that name. We wanted to have a name which is unique and original and finding one was a hard nut to crack. It was a miracle that our present one wasn't taken. When it comes to the band being formed, here, as usual, we have a completely trivial and spontaneous story. I met Madness at some party and the next day he invited me over for Perun's rehearsal, where he was bashing away at „something” with Vit. I quickly realised, that this band might  become something more and I brought a song over to their rehearsal, which we later called “Eagle of Glory”. Soon after Olszak joined in, and that's been the lineup since then.

Lyrically there's a song about mythology, another one about the vikings riding over the Lindisfarne... Do I sense that the master Quorthon has influenced you, speaking of the lyrical themes? More so, what is the song "Eagle of Glory" about? Why is this track mentioned as a bonus on the EP?
Of course Bathory and Unleashed has had an influence on the lyrical aspect of Thunderwar's music. Still I'm mainly influenced by Quorthon's music, which you can hear in the title track and the instrumental track called „The Birth of Thunder”. The lyrics on our EP are separate stories about ancient cults and mythologies. The lyrics on our upcoming record, however, will be more consistent and connected to one another. As far as “Eagle of Glory” is concerned... I would like to leave it to the listener's interpretation. The song was placed there as a bonus track, because it had been released and published before, on our first single.

In some way, Thunderwar differs lyrically from the majority of old styled death metal bands... I mean, 98% of them deal with the horror / gore / satanic / occult themes, which is awesome, but the viking or mythological subjects are also fine (vide Unleashed and old Hazael). But were you ever into horror stuff or it is not something what lays in your interest? How did you come up with an idea for such lyrical direction? I suppose that even the artwork for the EP distinguish you a little... Hehe, no zombies, no inverted crosses hehe... Amazing artwork, but not something what I would usually link with old school death metal hehe!
Honestly speaking I had never been attracted to the horror / gore genre. I much more prefer the solemn and epic atmosphere. It's probably because I've been a big fan of classical and film music, since I was a child. However I am very interested in the occult and esotericism, and so the future Thunderwar lyrics will touch upon those themes as well. I'd still like

to stress that Thunderwar is not heading the pagan / viking direction. We've got one such song ant that's enough for now. We'd rather not limit ourselves thematically. The cover artwork is pretty unusual as for this type of genre, but looking at Bolt Thrower and Dismember, you can see that we weren't the first.


Apocalypse is a lyrical theme for many metal bands and it's also popular in many books, movies, starting with such "Terminator" and "Mad Max", ending with "24 Days Later"... Nuclear annihilation, global freeze, the asteroids threat... I personally think that the end may come rather from the outbreak of pestilence, from a lethal virus, which can kill the mankind... Which of these scenarios are likely to happen, in your opinion?
Honestly speaking I'm not worried about the global apocalypse, but the most credible scenario seems to be that our own stupidity will be the cause of our demise. So your vision is very real, since maybe some eggheads have created a mutation of some lethal virus, which can imperceptibly go out of control. We know such stories from the times of the USSR. Still, history shows, that in spite of great calamities (the Black Death epidemic in the 14th c.), humanity has always been able to get back on its feet, and in the aftermath, would become more fit to survive and powerful. For me, the end of the world will come, when I die in a car accident, for instance. We're nothing more but bits of dust, placed somewhere in the void of the universe and our existence is but a moment on the never ending timeline. It's terrifying how little we know about the world.

Since you mentioned that new album is about to be recorded and released soon, give me some more details on it. Firstly, what are the new songs like, when compared to "The Birth of Thunder" EP? Which direction do you think the new material is going? Secondly, where do you plan to record and release it? Do you have many labels interested in Thunderwar?
At the moment we're at the stage of polishing the material. The songs will be more Black Metal, atmospheric and dirty, than the ones on the EP. Of course the old school Death Metal will still be there. We're not straying from the taken course, only making it more radical. No song from „The Birth of Thunder” will be repeated on our full record. We're also slowly beginning to work on the cover. We're entering the Hertz studio on the 14th of October this year, so I think that by December, the CD will be ready to be sent to the record companies. Which label will take us under their wings, and when the premiere will take place – this I cannot tell yet.

What expectations do you have with the new, upcoming album? Is there aim, which you have, something you want to achieve with it or you're just happy to have it released and to know that some maniacs will maybe enjoy the music? I ask this also, cause you know, there are some young bands, which make business plans or other shit and want to be another Behemoth celebrities, behaving like stars, which they will never be... Big ego is a problem of many bands today. What is your view on that?
First of all writing music and playing live is a huge turn-on for me and gives me a great deal of satisfaction. It's really an amazing feeling, when the people at our gigs chant the chorus to “Vimana”, especially that we're a very young band. Our aim is constant development, but without losing the honesty and authenticity. For all the band members, the band means our life. As far as the business plans and pie graphs are concerned, I consider it an act of pure stupidity. I would turn my blind eye on it if the material spoke for itself, but unfortunately that's not the case and never will be. I like Behemoth, especially for their last record, but the guys have achieved their success through hard work and perseverance (10 albums!) and not some fucking pie graphs and idiotic films on YouTube. The Swedes have about four „Behemoths” in every town, and every second one is in Nuclear Blast, Century Media or Metal Blade. The bloated ego is mostly the problem of the Polish bands. Since they cannot attract listeners with their music, the best method is creating an ideology and a soaring ego.

I wonder what do you think about all these sites like bandcamp, where people buy (!!) mp3 files of albums? Call me old fashioned, but I just have no idea why would someone want to pay for mp3, if he can buy the real CD or sometimes even LP for the same price? Where's the point there?!
I don't think there's anything wrong with it. To the contrary. In the western world, people regularly buy records, but here in Poland hardly anyone does it, especially among people my age. Mostly because of their price. I think that those who would firstly like to get acquainted with the music of a certain band, would first like to spend some change and listen to a few songs without leaving the house and waiting for the courier. If they like it, most of them are likely to go to a shop and buy the full album. Here people will just download those files from Torrent, paying nothing to the artist.

While this chat was in translation you managed to perform another important gig, one with Carcass and Polish legends Hazael! Again, congrats for such an awesome achievement. What impression these two old bands made on you? How did you enjoy the whole concert and Thunderwar performance?
It was an incredible experience for me. The moment our band was confirmed for the show, we realised, we were aiming very high, and that playing before an undoubtedly difficult audience, was a big challenge for us. I think we managed quite well. The audience's reception and the sound was amazing, so the gig was excellent. It was a great honour for us to be able to play, on the same stage, with such cult and legendary bands. Hazael is a class in itself, and the gig, which Carcass pulled off, was something I'll remember for a long time. I admit it was definitely one of the best shows I went to and one of the best gigs I had the chance to play.

And my last question is… some of you are or were also members of other bands like Hell Patrol, Bestiality (Vit) and Hexfire (you). What can you say about these bands? You’re in Hexfire, which plays the most annoying music ever created within metal circles – power metal! I never understood the phenomenon of this style and probably will never get infected by it… but I wonder how do you find yourself playing this, so different style of music?
I was recruited to Hexfire when I was sixteen. This was the time I was looking for my own lineup and the lust for playing made me grab onto anything (once I even made my way through some deathcore band, but this I wouldn't even like to admit haha.) The prospect of recording an album with musicians such as Niclas Etelävuori (Amporhis), Novy (Dies Irae,Vader) and Alex Holzwarth (Rhapsody of Fire), who made a guest appearance there, was very attractive to me. The CD was released by Nightmare Records. It's hard to talk about a band here, because it was more like a project done by the Liszko brothers. I was just a workman. Hexfire hasn't been existing for a long time, and my story in this lineup ended with laying a few guitar tracks, during the recording session. I believe you got this information from Metal Archives, but the status of the project, has been „split-up”, for the past four years. To sum up, I gained some experience and got to know a few people from the music industry. Still, as you've probably realised yourself, power metal is not my kettle of fish. Bestiality, on the other hand is our drummer's side project and it starts where Blasphemy and Destroyer 666 collide. I highly recommend it to all those lusting for a reeking miasma.

OK, cheers Witold for your time and competing this interview. It took us some time to finish it, but I think the final result is not bad at all. Hope to hear the new album soon, so keep on doing great work! Any words to finish this chat??

Thank you for the devoted time. See you in the future!