HELRUNAR - Sól (LUPUS LOUNGE - CD 2011)
Helrunar… Yeah, I’m not gonna try to hide the
fact that I love this band. They belong to the category of black metal bands,
which I like most – I mean bands, which play that kind of music with heart and
passion and do so, using many atmospheric meanings, not necessarily focusing on
the primeval aspects, but rather trying to get out its essence, its true
feeling. And do so by playing their music unconventionally, but still in epic,
heathen, atmospheric, but savage and furious ways. With all their previous
recordings Helrunar gained for me a status of amazingly talented band, one
whose music is to be listened to and contemplated, not just played for the fun
of it… It is that tension in their music, amazing riffs, great acoustic
passages and raspy vocals – all great ingredients, which made such LPs as “Baldr
Ok Iss” and “Frostnacht” so successful. For me, if you ask, there’s Ulver’s
“Bergtatt”, Satyricon’s early LPs, then maybe two or three another albums like Taake’s
“Hordalands Doedskvad”… and then there’s Helrunar. So, after “Baldr Ok Iss” was
released I was truly looking forward to hear some more stuff from those Germans
and that finally came in the beginning of 2011, when “Sól” album was announced.
It turned out that it’s a double album – and to be honest I didn’t know what to
think about that. From one hand it must have been a proof that Helrunar was
extremely busy and found so many great ideas and songs that they had to put out
a double album. And that’s fine for me; I will never have enough of great
music, especially from this band! But some hesitation came when it turned out
that both parts of “Sól” will be sold separately. One under the title “Sól I -
Der Dorn im Nebel” and another one as “Sól II - Zweige der Erinnerung”. Hmm,
this is shit. I mean obviously every fan would never consider buying just one
of these two CDs; he’ll need to have both, but to sell them separately –
especially as, let’s make it clear, Lupus Lounge releases belong to the most
expensive stuff out there! – is a bit of crossing the line. It’s like buying a
roast dinner, for which you need to pay extra if you wanna have some potatoes
and gravy. You cannot have just a roast meat, you need everything. The same is
here; you need both parts, but having both parts of “Sól” released separate was
just a fucked up decision. Obviously there’s also a diehard version of this
album, with both CDs together, with an art book, all limited to 1000 copies…
but I’ve never seen one of those anywhere and probably that version was
expensive as hell. So, they made us pay a double price for one album, but
luckily Helrunar is kind of band, which is worth the money; even if I would
prefer this to be sold under one special price.
Both parts of “Sól” come in nice looking
digipacks. The artwork in each differs, but each is equally impressing. I can
understand why they have also released it as an art book, really, the whole
layout plus those photos, which have been used for “Sól” are nothing less, but
a real art. I’m not gonna reveal all details of it, you better just buy these
albums and look / judge them by yourself, but I can promise you that this looks
truly impressive. The atmosphere of these photos is just as cold and disturbing
as it is stunning and obviously it fits the concept of the world after an ice
age perfectly. Sadly again all the lyrics have been written in German – what is
not a problem in itself, as it is a great part of Helrunar style and I love the
way Marcel Dreckmann (a’ka
Skald Draugir) shrieks
his lyrics… German language fits here perfectly, but really some professional
English translations would be perfect here. I tried to use a bit of google
translate, but mostly it was difficult to understand and sometimes had
completely no sense at all; this translating program just sucks.
When listening to “Sól” first I have noticed an
amazingly crisp, powerful production of the album. I used to consider
Grieghallen Studio as a place, where all the best black metal productions were
done (vide Taake’s “Hordalands Doedskvad…” LP), but what Helrunar achieved at Klangschmiede
Studio E is a superb sound quality. So powerful, so energetic, so clear, but
still savage and raw. It is a perfect combination for such music and I dare to
say that with different sound, “Sól” wouldn’t be as good. The drums are like thunders;
the guitars have a powerful, great tone and are sharp like fuckin axes. The
band sounds amazingly well whether they play fast and aggressively or perform
the acoustic passages… It is flawless all the time. Sure, it resemblances the
recordings of Secrets of the Moon, but since I can call myself a huge fan of
both bands, I have no problem about that.
Musically I guess “Sól” will speak in the language
already familiar to all those, who’ve been mutilating their skin when listening
to “Baldr Ok Iss” and “Frostnacht”. Helrunar has created style of their own
years ago and luckily they don’t feel like changing it too much yet. In many
ways though “Sól” seems to be more uncompromising album that the previous ones.
Again – and that for me is always the biggest strength of Helrunar music – a
lot of accent has been putted on long, instrumental passages. The album is
heavily guitar oriented; without keyboards or whatever, only some acoustic
guitars will fill up the empty spaces when it is needed. Other than that
Helrunar lets the listener to feel the power of RIFF and shows their great
ability to paint the pictures / concept with the music, focusing mainly on
those instrumental parts, which one can almost compare to some post metal, if
you would ever bother. The music is deeply involving, from the start till its
very last second; and during this time you’ll hear some exceptionally brilliant
(black) metal, in such tracks as “Kollapsar”, “Nebelspinne” or “Ende 1.3”
(speaking of “Sól” part 1) and “Aschevolk”, “Rattenkönig” and “Sól” (speaking
of “Sól” part 2). Actually I must add that “Sól II - Zweige der Erinnerung”
quite often crosses the lines of even more progressive black metal and thus the
band may adrift away from their classic heathen black metal style here and
there, but for me it never becomes dull and uninspiring. If I was picky, then I
would say that “Sól I” made a bigger impression on me, but definitely “Sól II”
is not Helrunar’s “Reload”, if you know what I mean (read: don’t treat the
second album as the collection of outtakes!). And I also must admit that quite
often I feel like Helrunar and Polish Furia have really a lot in common – and I
love both bands equally.
Helrunar never fails to create that cold,
inhuman atmosphere and never fails to deliver great, memorable, enormous riffs
(splendid guitar work!). The music often erupts in your face, only to calm down
later… and this dynamic in the music of those Germans, with huge, monumental
songs and powerful production are things that would distinguish the phenomenon
of “Sól” from all the mediocrity, which has been produced in the past years. I
don’t know if “Sól” is a better album that that amazing “Baldr Ok Iss”, where
Helrunar perfected their music 100%, but I would prefer not have to make the
choice, as both albums are well worth having and being listened to. Definitely
“Sól” was an ambitious, emotional project, in many ways it drags attention more
than anything else I have heard this year and well… I cannot imagine a self
respecting black metal fan not to obtain a copy of this double album.
Definitely it will speak to all those, who find a lethal pleasure in the latest
recordings of Helheim, Secrets of the Moon, some recent Satyricon, Dornenreich,
Furia, as well as Celtic Frost’s “Monotheist”. For me Helrunar released another
classic album (albums) and well, I can only recommend it to all those, who
deserve that. Because the weak will not bother anyway.
Final rate: 85/100
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