ENDEZZMA - Erotik Nekrosis (AGONIA Records - LP 2012)
I must admit that this album
was an obligatory purchase for me as soon as Agonia Records released it on
vinyl. And that’s because of two reasons: I enjoyed Endezzma’s debut EP quite
much, but more so, there’s Trondr Nefas from Urgehal, Beastcraft, etc in the
line up. And well, I really dig his music a lot. Sadly “Erotik Nekrosis” turned
out to be one of his last recordings, before he died in 2012, so it quickly
became quite special album. And yeah, I definitely like the music a lot. This
is quite typical Norwegian black metal record, it has that Norwegian feeling,
which is so characteristic and unique for this country, but this is probably why
I love it so much, as in my opinion there’s nothing better than the classic
Norwegian black metal if done with high quality.
And “Erotik Nekrosis” for me
is a killer album, which delivers such a fantastic listening experience that I
am quite surprised that it passed rather unnoticed by the scene. At least I
hardly ever hear people mentioning it. And the greatest thing about “Erotik
Nekrosis” is the diversity of this album and I really mean it. There’s a lot
going on in every song, Endezzma can bring many different type of riffs, styles
or moods, but all played in the harsh, black metal way of corpse! So, it’s
nothing like monothematic, primitive music, but very well composed record, with
many aggressive parts, but also many catchy and memorable, melodic pieces.
Obviously you’ll be able to pick up several fragments here, which are deeply
rooted in the classic Norwegian harsh black metal and bands like Darkthrone and
obviously also Urgehal, but I guess they’re rather closer to such “Ravishing
Grimness” than “Transilvanian Hunger”. But at the same time there are some
pieces, which personally I can compare to such Taake and some other, which I
think can be influenced by some more recent Satyricon albums. And you know,
Endezzma do not reinvent the wheel, but somehow the effect they achieved on “Erotik
Nekrosis” is simply awesome.
The songwriting here is more
than decent, I think, with many truly splendid riffs and very good
arrangements. I was at first quite surprised to hear some additional
instruments like keyboards appearing in few places, as I surely did not expect
them, but damn, they do give a nice touch to the whole music, especially when
those melodic bits are combined with cold atmosphere and harsh, raspy vocals of
Morten. I must say I do like how Endezzma make this smooth transitions between
different paces and moods, and how they incorporate these atmospheric pieces
into the whole album, like in “Enigma of the Sullen” or “Against Them All”,
which have some Hammond like organs and the latter has even a slight cosmic
keyboards in some parts, which again is quite surprising. I’m glad also to have
song like “Hollow” here, as its melancholic, slow playing completes the album
in great way and makes it even more varied, actually reminding me Trondr Nefas’
other band, Angst Skvadron a bit.
And then in case you prefer
more straight forward and aggressive black metal, you can enjoy such tracks
like “Junkyard Oblivion” (for which a video was recorded, by the way) or
“Swansong for a Giant”, but I would mention “Soulcleansing” especially, as it’s
a killer track, with some piano that accompany the harsh riffage and thus it reminds
me some old Obtained Enslavement, fantastic stuff, really. So, I cannot really
anything bad about this album. “Erotik Nekrosis” is surely among my favourite
Norwegian albums of the recent years and damn… I am really curious what will
they bring next, now when Nefas is gone and new line up has been presented. Recommended.
Standout tracks: “Enigma of
the Sullen”, “Junkyard Oblivion”, “Hollow”, “Soulcleansing”
Final rate: 80/100
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