VEXATUS - Atom Pompeii (REDRUM - CD 2013)
This album gave me quite a big headache. I’ve
been listening to it for the past week many times and somehow I just couldn’t
convince myself to it and I couldn’t decide if I really like or just dislike it.
And I guess there will be many such opinions coming, as what Vexatus has
recorded on their second CD “Atom Pompeii” is something different and not
necessarily something what met my personal expectations. All in all the debut
of Vexatus (“Tortura” from 2010) supposedly was an old school death metal
influenced by the Swedish classics… at least that’s what I have heard about
“Tortura”, as to be honest I don’t own the album and I have only listened to
few songs on youtube or somewhere else… But people were saying that the whole
CD was quite decent slab of the classic death metal with groove and great
feeling. And yeah, the song, which I remember (“The Madness That Never Was”)
was truly awesome and pretty much in the vein of Entombed. But meanwhile with
the second CD Vexatus took somehow a different path and toyed with the
listeners, coming up with more unusual and dissimilar album. I assure you that
if you’re expecting from Vexatus something similar to “Tortura” then “Atom
Pompeii” may disappoint you a lot.
I’m saying about disappointment, but that’s
actually something what we may argue about. Because if Vexatus took a different
path and recorded something more unusual and original, then I guess we should
praise the band for it, right? Nowadays there are many classically sounding
death metal bands around, so if Vexatus became more original then it is good
for them. But the problem is that their second album is just not something what
I would honestly enjoy. So then, what is so unusual about “Atom Pompeii” that
it gave me a headache? Well, on the first listen one can say that the album is
still quite Swedish influenced, if you only listen to the sound of it… Well,
certainly Michał Barski (my good old class mate and friend – hellzzz!) provided
a nice production to the album with great Swedish tone for guitars and
powerful, energetic feeling. For sure “Atom Pompeii” sounds way better than
“Tortura”, but the fact that the guitars have a classic Swedish tone doesn’t
necessarily mean that Vexatus plays like Entombed or Dismember. OK, there may
be some similarities here and there, with few riffs, but as overall “Atom
Pompeii” is just something unlike anything else you’ve heard before.
I think that one of the major factors, which
makes Vexatus sound so bizarre and different are the vocals. Well, what I
remember from the songs from “Tortura” is that the vocals sounded close to LG
Petrov’s, which was quite cool. Meanwhile here they’re not even typical
growling; not the kind of shriek or vocals you would easily get used to. Personally
they sometimes remind me Klimorh from Non Opus Dei – and this guy is also known
for his unusual vocals and Vexatus’ vocalist Mike also came up with untypical
sound of scream / growling… But let’s be honest: I just don’t like his effort.
Sure, definitely these vocals sound unusual and give the music a new dimension
and original touch, but anyway I would still prefer more typical type of
growling, instead of these screaming vocals. The music may have sounded more
brutal then and would be easier to listen to; anyway, that experimental work of
Mike is not something I would like.
OK, the vocals are one thing… they are what
they are; but the music is also quite surprising and has some moments, when I
was quite taken aback. For sure Vexatus tried to create a different music to
their first album and some of these songs on “Atom Pompeii” are quite hard to
swallow. There are obviously some straight forward tunes, like in the opening
track “Slaves of Korea”, but even in this song, among those blasts you’ll find
a couple of more twisted parts. “Tenebrae” is also quite cool, I really like
some of these riffs here (but again the vocals and their arrangements are not
entirely that good…), except maybe that calmer part in this song, somewhere
near its end. But what the hell can I think about such songs as “Lebensborn” –
which is weird, maybe progressive, but also just damn boring? Or “Clades
Variana” and „The Archangel’s Slaughterhouse”… I don’t like these riffs, these
ideas and the whole atmosphere of the music. Don’t get me wrong – I like if the
albums shows a diversity in the songs and if they’re more challenging
sometimes, but somehow “Atom Pompeii” couldn’t really convince me and the more
I listen to it the more it bores me. And I don’t only mean the vocals, but also
just the songs, which are nothing exceptional – or let me put it this way: I do
appreciate the fact that Vexatus tried to do something different and run away
from the stereotypes, I am sure that many of you will like it and also value it
highly, but personally I would rather listen to great powerful and more
straight forward, aggressive record rather than something so bizarre and aching.
I kept trying to find something about “Atom Pompeii”, what would intrigue me
and make me want to come back to this album, but I couldn’t – it only irritated
and bored me more and more.
Standout tracks: “Slaves of Korea”, “Half-Life”
Final rate: 60/100
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