AFTER DEATH / UNAUSSPRECHLICHEN KULTEN - Dwellers Of The Deep / The
Madness from the Sea (PROSELYTISM - Split CD 2012)
If someone will ever dare to say that nowadays
there’s no point in buying CDs or LPs or MCs, then I strongly advice that
person to shoot himself in the head. There’s always a need to purchase some
excellent music and when looking at such jewels as this split CD between After
Death and Unaussprechlichen Kulten, then I just realize that it is something
very special. I haven’t even know much about the label, Proselytism, before I
got this split, although I’ve heard a compilation CD with mainly South American
bands, which this label has released (it was titled “Tu Futuro”). But looking
how carefully and wonderfully they have released “Dwellers Of The Deep / The
Madness from the Sea” split CD, I just must admit that this probably is one of
the best works I’ve seen recently, excellent digipack and two discs with
absolutely amazing music. This is truly a collectable item, not only because it
is limited to just 500 copies, but also due to its killer packaging. And when
looking at it, tell me if it doesn’t make sense to purchase such items, collect
them, instead of just sucking the cocks of mp3? Anyway, I strongly advise you
to get “Dwellers Of The Deep / The Madness from the Sea”. The split CD features
two relatively different bands – After Death from USA and Unaussprechlichen
Kulten from Chile and both proved to be worthy.
The first one, which I started to listen to,
was After Death. I was really curious about this band, of course mainly due to
the fact that it was formed by Mike Browning. He’s a legendary dude, being in
early Morbid Angel line ups and also forming Nocturnus, means that there were
many expectations from my side for this new band, which he formed. Well, maybe
not new, because After Death exists already since 1999 and already has several
recordings in the discography, but “Dwellers Of The Deep” was my first meeting
with their music. And I must say that after the first listening of their disc I
was quite surprised and torn apart. From one hand the music of After Death
sounds totally – and I mean TOTALLY – like the good, old Nocturnus on “The Key”
LP, which obviously is something great. But from the other hand After Death has
such increased a number of keyboard parts in their music, that sometimes I had
quite a problem with liking what they play. Many of the sounds, which the
keyboards play are weird, many sound dreamy or cosmic or however you wanna name
it, they appear very often and I had an impression that it’s just too much. And
that they strip the music of After Death from a lot of aggression and
intensity, which I usually look for in death metal (listen to the beginning of
“Lords of the Black Path” to see what I mean). But I kept listening to this
disc on and on and after a while I found myself loving those sounds. Man, it
turned out that After Death managed to create great atmosphere here! Sure, sometimes
they may sound too soft or harmonious to brutal death metal fan (“Dwellers of
the Deep” is kind of song, where they’ll probably get shivers hehe), but I
don’t think this music is really for them. But if you want to listen to a real
continuation of the early Nocturnus (and sometimes in the fast parts the band
reminds me of Absu!), then this is something exactly for you! 7 excellent
songs, many fantastic parts, all fantastically arranged and played (oh, those
furious, lunatic guitar leads!), great Mike Browning’s vocals – which I
recognised instantly, as this man has very original style of singing or
screaming! Very dark, very sinister, malevolent, very powerful and somehow I
feel the atmosphere of the ancients here in this music. My favourite tracks
would probably be “christWas”, which I guess is the fastest and most
uncompromising song on here and “Lords of the Black Path”, which I just
mentioned – this song, after a quite peaceful and dreamy dreams turns into a
real beast, reminding me Absu in many ways, including the sort of ritualistic
atmosphere, what I like a lot. “Devourer of Souls” is also excellent, the most
Nocturnus sounding track here, I think. But definitely the best song from After
Death is the one, which closes their CD and it is a thrilling cover of Morbid
Angel’s “Chapel of Ghouls”. Of course After Death – or Mike Browning – has the
biggest right to record his versions of those old Morbid songs, as he was a
drummer and vocalist of this band back in the 80’s, he performed many of their
songs on the demos or the “Abominations of Desolation” LP, so listening to
“Chapel of Ghouls” is like a travel into the past. What surprised me was that
this version sounds very similar to the old Morbid Angel version from “Abominations…”,
really, production wise and of course with Mike’s vocals it does sound very
close to the original, but from the other hand After Death has added plenty of
keyboard parts into this song, what gave it a slightly new dimension. But I
love this cover a lot! Definitely then After Death turned out to be a great
surprise to me and since I haven’t really heard anything from Mike Browning,
speaking of the music ever since “Thresholds” LP and his appearance in Acheron,
this is a much welcome return. Killer band!
Change of the disc and it’s time to get destroyed
by the Chileans from Unaussprechlichen Kulten. Well, one thing I don’t like
about this band is their moniker, I just have no idea how to pronounce it or
cannot even write it down from memory hehe! Anyway, I like this band – they’re
really good and “People of the Monolith” was a damn good LP. Besides, Joseph
Curwen is an editor of excellent Compilation of Death zine, which is one of the
greatest fanzines I have ever read so far (I recommend you the second issue -
it is just awesome!). Unaussprechlichen Kulten are obviously another
Lovecraftian worshippers, what you can see already by the title of this disc. “The
Madness from the Sea” offers five tracks plus Mortem cover. And their death
metal, although much different to what we have heard from After Death, is also
fuckin excellent. To me Unaussprechlichen Kulten are totally influenced by
Immolation, speaking of these characteristic, repetitive riffs, the whole
atmosphere of the music and everything else. Obviously the music of those
Chilean killers is not just a simple rip off and cut and paste, they do not
copy Immolation riffs, they also have the influences from other bands (whose
names are pretty obvious, so I’m not going to mention them… I only wanted to
mention Immolation, as they’re the closest, speaking of the atmosphere and
style) and in the end Unaussprechlichen Kulten gets a lot of seriously great
riffs and everything is very well composed, arranged and performed. I also like
the production a lot. The sound is just very strong, very powerful and
energetic, what underlines the mightiness and brutality of the riffs. The music
is tight and massive, often it is also fast and relentless, so I guess I can
say that I cannot spot any weaknesses in it. “People of the Monolith (The Black
Stone)” is the most significant track here, but the rest isn’t far behind. This
is very good band, indeed!
Final rate: 87/100
Unaussprechlichen Kulten feel the power from the sea!!!
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